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Editor's annotation

Visitors come to museums to see works of art, scientific discipline or remains of the past, in order to get inspired, filled with new knowledge or to reshape the margins of their understanding. Catherine Mosbach seized the opportunity to offering a landscape that engages this mindset and is able to playfully explain the hidden stories this mural inhabits. This is indeed a museum-park where visitors can detect what landscape has to say about itself and the traces of human action on the site. I can move about equally one would at an exhibition; passing through an assortment of different objects, each expressing its own statement … Catherine Mosbach revealed the layers of the site'southward retentiveness with all its features and debris, and translated them into a language common to the building and its programme. Whether y'all similar its appearance or non, the Louvre Lens project is undoubtedly a potent conceptual mural that reaches beyond practice by the book.

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Catherine Mosbach: When an institution like the Louvre positions itself on this soil and by extension in this area, it offers a striking opportunity, since its primary mission is to embody the memory of fine art. We are talking about types of meet between these two universes that seem at kickoff sight to be disparate and nevertheless draw from the same resource that is normally known every bit culture: art on the one hand, and an industrial and landscape civilization on the other. Good team invest Louvre Lens project to define a range of parameters for High Ecology Quality (HQE) national labelling cultural facility plan.

Here, the project is enacted through withdrawal, subtraction, in order maybe to protect meaning, cultivate its inexhaustible story, so that it reveals itself in its multiple layers, available to the visitors who wish to probe it. Our strategy restores the disturbed link between skin (recording surface) and depth (resource of yesterday and tomorrow). It opens the door to futurity ages by introducing the fine art equally mediator of all the ages and as bridges to new mentalities. The park outlines the challenges of a programmatic content (triggers of active memory), the infinite strategy of a cultural facility (park-museum) and potential landscape events (extended Louvre park). A level represents each of these strata; each of these explains the temporal dimension to which it belongs. The Louvre gardens materialize at their intersection like and so many extracts of a living memory. This technical and scientific translation of the resources is non however covered by an accretion of information that palpable divides the land.

The park is

Experience to the museum which introduces accessibility for all 10 entrances from the 4 primal points
Landscaped setting which extends the programs of the museum outside the wall. It is the place for cultural programming, blitheness and pop gathering in connection with the activities of the museum.
Connection between museum, metropolis and territory
*a place of retention for history of the site and its relationship to Loos-en-Gohelle dumps
*a place that extends the horizon of the museum across its traditional perimeter of 1850, relaying gimmicky fine art and its potential crosses with the ground realities.
*an articulated environment which offers dynamic morphing views to everyone
Bonny spot, a destination in itself, which promotes ownership of the museum past local inhabitant not familiar with art, mixed with the art-preferred population from all cultural backgrounds
*a infinite nearby available for walking and relaxing during the airtight hours of the museum
*a recreational and leisure area
*an eco-friendly environment that creates social ties (relation gardens, respect given to the natural surround)
Integral and integrated function (without defensive display) the security system by museum: thresholds distancing (silt and forest contend, green canopy,…)
Sustainable procedure relies on the versatility and universality of the design that fits several functions
Articulated educational device to the site with temporality
*technical platform to expose maintenance strategy
*green class room under scarlet circumvolve
*lais network for 3 main strata

mine layer -industrial stage
environs layer-geological fourth dimension
cultural layer -exhibit rhythm

Data

Landscape Architecture: Catherine Mosbach/MOSBACH PAYSAGISTES
Architecture: Kazuyo Sejima + Ryue Nishizawa / SANAA

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Source: https://landezine.com/museum-park-louvre-lens-by-mosbach-paysagistes/

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